Publications

“The Messenger of a Faithful Heart: Assessing the role of ‘Die Taubenpost’ in Schubert’s Schwanengesang”
Rethinking Schubert
eds. Lorraine Byrne Bodley and Julian Horton
​Oxford University Press, 2016

​"Beyond the Leiermann: Disorder, Reality, and the Power of Imagination in the Final Songs of Schubert’s Winterreise"
The Unknown Schubert
eds. Barbara M. Reul and Lorraine Byrne Bodley 
Ashgate Publishing, 2008 and Routledge, 2016

“Trust, Sympathy, and Joy: Thoughts on Music and Leadership”
Blog post for Kallion Leadership, Inc., April 24, 2020

Review of Otello, by Giuseppe Verdi (Washington National Opera)
DC Theatre Scene, October 28, 2019 

“The Messenger of a Faithful Heart: Assessing the role of ‘Die Taubenpost’ in Schubert’s Schwanengesang”
Conference Paper, Thanatos as Muse? Schubert and Concepts of Late Style
National University of Ireland, Maynooth, Ireland, October 2011

Musical commentaries, Splendors of the Magnificat: an artistic, spiritual, and musical journey through the centuries
Paris: Magnificat, 2009

Prometheus in Music: Representations of the Myth in the Romantic Era (review)
Notes: The Quarterly Journal of the Music Library Association, December 2008

“The Adagio of Bruckner’s Seventh Symphony and the Aesthetic of Musical Slowness in the Late Nineteenth Century”
Conference Paper, Fourteenth International Conference on Nineteenth-Century Music
University of Manchester, UK, July 2006

“Sonority and Spatiality: The Lyric in the Adagio of Bruckner’s Seventh Symphony”
Conference Paper: Regional Meeting of the American Musicological Society (Northeast Chapter)
University of Massachusetts at Amherst, April 2006

Preface to a new edition of the Piano Trio in D Minor, Op. 120 by Gabriel Fauré, Repertoire Explorer Editions
Musikproduction Jürgen Höflich, Munich, Germany, Spring 2006

Performing Brahms: Early Evidence of Performance Style (review)
Nineteenth-Century Music Review, Winter 2006

“Willful Disorder and Formal Rupture in Late Schubert”
Conference Paper, The Unknown Schubert
Luther College, University of Regina, Saskatchewan, Canada, December 2004

“Ned Rorem, Sylvia Plath, and the two Ariels”
Conference Paper, The Hampson Project: Amerikanische Lyrik in der Liedgeschichte
Universität Mozarteum, Salzburg, Austria, August 2001

Program Notes

​Fromm Concerts at Harvard University
Washington Bach Consort
CONCORA (CT)
Maryland Choral Society
Voce Chamber Singers
Georgetown Chorale
Aoede Consort
Choir of the Church of the Advent (MA)
Williamstown Early Music (MA)